So how does one make a music video in the era of a world pandemic? With the help of green screen and some serious artist creativity, anything is possible! (Probably a bit easier said than done!) In the middle of debuting their fourth studio album CALM, Australian band 5 Seconds of Summer, found themselves doing just that. (You can read my full review of their album in my last post) With a little help of some friends, they were able to pull off one of the most colorful, psychedelic and impressive music videos I’ve ever seen–entirely made from home! This article is a small dedication to the creative masterminds behind the video, creative art director, Andy Deluca and photographer Sarah Eiseman.

While COVID-19 has posed some serious challenges in the entertainment front, it has the creative wheels of several artists spinning. Releasing content without radio or even theatrical promo (for movies) has completely changed the game of both music and film distribution before we know it. (I will most likely discuss this in a future article)

With a successful album release, 5 Seconds of Summer were eager to create a music video for one of their newest singles, Wildflower. Originally set to shoot a video before the shelter in place order was in effect, the guys were left to be a little creative. I was incredibly excited to see that they were still pursuing a music video and was interested to see what they could do.

The first sneak peak was given by the guys’ creative art director, Andy Deluca (who also designed their album artwork for CALM) Below is the tweet Andy posted with girlfriend Sarah Eiseman who is practicing drawing various flowers that would eventually be seen in the Wildflower video. Both Deluca and Eiseman created the lyric video for the single as well. Fans were ecstatic to see that on the screen beside her, was lead singer Luke Hemmings and his dog Petunia in front of a green screen. The Wildflower music video was back on the table! Andy has always been good with leaving fun little bread crumbs for fans. Thanks Andy!

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A week later the band had finally unveiled Wildflower to the world. I was incredibly excited since they had released a couple video teasers in the days leading up to its release but, nothing beat the feeling of seeing it in its entirety the first time. I was super impressed by the production value of the music video, especially given that it was made so quickly! I can easily say I probably couldn’t have created something that amazing in such a short amount of time. The filmmaker in me was proud and enthusiastic to see such amazing content made during such a complicated time in history.

The music video was a success among fans and even garnered a few reaction videos that were pretty on par with how I felt about it. I was incredibly excited to see Andy and Sarah getting the acclimation that was long overdue. They’re truly a tour de force. Their work also appeared in an article of Rolling Stone magazine discussing the release of Wildflower. (I mean, Rolling Stone!)

The music video was a 90s fantasy with overlapped images, psychedelia and swirls of color decorating the background behind them. Much of the guys’ recent album is heavily influenced by the 90s grunge so it was no surprise to see these influences sprinkled throughout the video. Animated mushrooms and flowers blossomed from heir hands and further gave the video that psychedelic touch. All of the background art and animation was created by Andy and Sarah themselves, playing around with an almost hydro dipping method of pouring various colorful dyes in a pool of water to create the psychedelic color effect.

Each of the guys filmed their part of the video from home, with a large green screen transported from house to house. While Andy helped shoot Michael and Calum’s footage, fellow songwriter Sierra Deaton and photographer Kay Kay Blaisdell helped their significant others (Luke & Ashton) shoot their parts as well. (The video also included a cameo from Luke’s dog Petunia which was a pretty cute touch!) From there of course, Andy and Sarah put their creative spin on the footage and brought it to life. Had I not known this video was entirely shot from home, I would have never guessed it–it’s that good!

When interviewed by Madeline Roth of MTV News, guitarist Michael Clifford describes his experience of shooting the music video in separate places–”It’s just weird. Usually when you film a music video, you have a backdrop, you know what the scene looks like, and you know what the vibe of the shoot is. But when you’re on a green screen, you have no idea what it’s going to be until after it’s been edited together. So you have to trust your other bandmates that they’re going to make a great performance as well.” (Source: MTV News)

The 5 Seconds of Summer guys are one of the first among many to release a made-at-home video along with artists Pheobe Bridgers, Charlie XCX as well as Ariana Grande and Justin Bieber for their newest single, Stuck with U. It’s amazing to see these artists get creative and continue to release content despite what’s happening. It truly shows the artistry and dedication for their craft.

What did you think of the Wildflower music video? I’ll go ahead and link the video below! Give it a watch! Would you have any idea this was shot entirely at home had you not known? Let me know what you think!

It’s been album release week for Australian rock band, 5 Seconds of Summer! With recent worldly events, this album release is definitely one for the books. Despite COVID-19, 5 Seconds of Summer have come up with creative and interactive ways of promoting the album and as odd as it sounds, I think this actually my favorite album release. Seeing the guys on live chats is really fun and the perfect way to make the album promotion, a bit more intimate.

As a longtime fan of 5 Seconds of Summer, I couldn’t be happier to write a review for what I consider, to be the band’s greatest album yet. With new lyrical flavor and a new found sound, CALM is an album that I can’t quite put my finger on in turns of it’s theme. Its a kaleidoscope of events and weaves together seamlessly. There’s truly not a single track on the album I feel the need to skip. (And that’s honestly amazing!) Despite me being a fan, let’s take an inside look into the various elements that created CALM.

ART DIRECTION: Tour//Album

One of my favorite parts of this album aesthetically, is the art direction of the cover and packaging. Photographer Andy Deluca, has been the band’s creative director for the past few years documenting life on the road, creating tour posters for each visited city, and collaborating with girlfriend, Sarah Eiseman to create the official cover art for the band’s forth album installment, CALM.

The reoccurring influence of 1990s grunge rock has been a prevalent theme throughout the entire sound and art direction of CALM. I can’t imagine trying to think up this many posters for each city so kudos to Andy for not only the flawless and creative execution of each poster, but for the individual detail that goes into each one. What was really awesome about these posters was that not only did were they cool, you could also purchase the corresponding poster at each tour stop. (There was a limited supply which made this an amazing collectors item to have) Nothing makes me happier than seeing a band sound good no tour, but have pretty awesome merchandise to go with it.

For the new album CALM, the artistry of the packaging would be essential to helping put a “face” to the music. The album cover is simple yet warm and continues with the 90s inspiration that you can also hear in the music. All cover art and album packaging was created by Andy Deluca and Sarah Eiseman. The special edition blue cover (far right) comes with the Target edition of the album that comes with three additional ‘live from the vault’ tracks. Below are the inner folds of the album artwork. (which, is like eye candy for a photographer like myself) Andy notes the use of Polaroids and film photography to “create something reminiscent of the mid 90s, a time before cellphones, when you were forced to stare at CD booklets when listening to albums.”

The Breakdown: Track By Track

Red Desert

Beginning with one of the coolest tracks on the album, Red Desert is sure to grab your attention straight out the gate. I don’t think I’ve ever heard a song like Red Desert before and I think what makes this album so special is that while, several of the tracks have influence from other bands, it can also feel like a song you’ve never heard before. It’s such a relief to hear a new sound especially when the majority of music on the radio can be a bit redundant. Again, that is due in part to the mastery of 5 Seconds of Summer and what they brought to the table with CALM. Red Desert is what I can only describe as a psychedelic rock song with beautifully layered vocals and slight country flair. The drums also add a really organic sound that will undoubtedly, sound incredible live. This is definitely one of those tracks that is going to sound even better performed in front of a crowd.

Fans were also given a partial clue to the track title in February 2019 when they posted several photos from a photoshoot in you guessed it, a red desert.

No Shame

Ah, what can I say about No Shame? (Other than the fact that it’s a total bop) This one almost feels like what I like to describe as a science experiment in music. Sounds like a strange way to put it but, there’s so many interesting sounds that go about creating this song and it’s just a great tune overall. i often find myself singing this song at the top of my lungs whenever it comes on in the car. The lyrics are heavily influenced by the great lengths in which those in pop culture will go to surround themselves with fame and celebrity to feel adored. The band pays homage to a couple of these moments in their music video which is also one of the most intricate videos of their career to date. I’d also like to note the guitar in No Shame has a bit of a Cure influence which again, fuels the 80s/90s rock influences sprinkled throughout the album.

Old Me

Old Me is a great reflection track and really emphasizes the growth of the band from humble beginnings in Sydney, Australia to a band with four albums under their belt and their songs on constant air play. This tracks also highlights the tribulations it took for each of them to get to the person they are today. It’s a fun track to listen to with a pretty catchy tune about it. Again, I love the organic sound of the drums with each kick of the drum and snap of the hi-hat. Drummer, Ashton Irwin is a drummer who’s talents come so effortlessly and if you’ve ever seen 5SOS live, you can see the work that he puts in to create an experience for their fans.

Easier

Easier is the first single to be released, giving fans their first taste of CALM. Easier was co-written by pop vocal artist, Charlie Puth who you can also hear on the remix of the track. There’s quite a bit of Charlie’s influence floating around the track especially in the arrangement of the vocals with the high notes. Easier has a Nine Inch Nails inspired sound with heavy bass and a sexy aura about it. Listening to the Nine Inch Nails track, Closer, you’ll hear the similarities almost immediately. And if you know anything about Closer, the sensuality of the song is theme also translated in Easier. This is the album’s more industrial sounding track out of the twelve. So much variety!

Teeth

Teeth is a twin sister to Easier, in the sense that both have similar sounds and influences. The baseline in this song is a crucial aspect of the song and it’s definitely got some grit. It’s got the same sensuality as Easier with the lyrics being a little more “bitey” than the last. Teeth for me, symbolizes enjoying the chase of a untamed romance and being wrapped up in a dangerous but thrilling relationship that you just can’t turn away from.

Wildflower

Let me say that, when I mean this song is the greatest song off this album, I mean it’s the greatest song off this album. I think Wildflower is what truly raises CALM to the next level. Bassist of 5 Seconds of Summer, Calum Hoods delivers the perfect vocals on this track and gives it a warmth that just makes me bubble with excitement for this band and the direction they’re taking their music. It’s a romantic but fun approach to telling someone they’re the most exciting thing that’s happened to them. It’s the kind of relationship that throws you into a flurry of intense passion. This may be a stretch but when I articulate the lyrics and the title Wildflower, the ideal of “blossoming” comes to mind. An intense blossoming of love towards someone that almost bubbles over. Wildflowers hold an element of bold colors and vibrancy, much like the passion of this love towards someone. When they see this person, they see an array of bright beautiful colors who’s beauty is difficult to turn away from and therefore, must be admired.

The first half of the album truly separates itself from the second half which is an interesting arrangement that I don’t this was done without intension. The first half is gritty, dangerous and fun. The second half of CALM takes a bit more of a serious tone ending on a bit of sad note. I think one of the greatest explanations of the articulation of an album comes from Calum Hood when describing the ending of an album as being either an answer or a question. (We’ll come back to this idea when we end the tracklist with High)

Best Years

When promoting their newest album, the band expressed hopes of Best Years becoming a song couples would use for their weddings. Guitarist Michael Clifford who recently got engaged, has even expressed possibly using the song for his own wedding. Best Years is probably the most honest love song I’ve ever heard in a while. It’s beautifully arranged and promises that they will undoubtedly give their love, the best years of this relationship. (Where are the tissues??) I’m also in love with this song for the simple fact that U2’s The Edge plays the guitar during the bridge of the song. Best Years holds a special place for me in this album because I grew up listening to U2 and the collaboration of a band I grew up loving with band that I’m growing up with is truly everything I could have ever asked for. The Edge really brings this song together and I’m convinced this is the most beautifully arranged love song there is. (Don’t believe me, listen to it in the dark with only candlelight) It’s one of those songs I picture playing in the background of a movie where two love interests begin to fall for each other without even knowing it yet.

Not In The Same Way

This track kind of reverts to the fun/dangerous aspect that is expressed in Teeth. (You might also call this a sequel to Teeth) Not In The Same Way is simple in terms of its message but is a fun one to listen to. The lyrics suggest a relationship that is a bit toxic and one that continues goes back and forth. While both parties love each other, the way they love each other is not entirely in the same form. It’s a crossroads where one of them wants something more serious but the other is still trapped in chaos. It’s a love that is unforgiving but at the same time, they love them so deeply that it’s difficult to walk away from. They refer to being “colorblind” in the lyrics which I believe symbolizes looking at something and trying to avoid what it really is in actuality, ignoring the signs in order to keep the relationship alive.

Lover of Mine

Lover of Mine was written by lead singer Luke Hemmings and girlfriend, singer-song writer, Sierra Deaton. It’s not too often that couples write songs together and it’s quite special to hear this song from the sources themselves. It’s a bit complex in its lyrical structure in the sense that there’s so many creative uses of metaphors to build the story. Best Years was also written with Sierra in mind and its interesting to see this connection between the two songs. Luke again expresses that despite his wrongdoings in the past, she has been the one thing he got right and that he is ready to commit to her and only her. Another beautifully composed track for CALM.

Thin White Lies

Luke described the influence of the guitar sound throughout the song as being an influence of the Cure, which I love. I didn’t actually catch this until reading his excerpt from Apple Music of each song. The Cure is one of my favorite bands and listening to the song again, I can definitely hear the influence! Thin White Lines is about reflecting on the fact that you’ve changed so much you don’t know who you are anymore. It’s almost like a sense of hopelessness you feel when you’re lost and don’t like who you’ve become. Thin White Lines is also about a romance that is kept alive by lies and empty ‘I love yous’ that are merely words than actions.

Lonely Heart

My favorite part of Lonely Heart are the melodies and layered vocals. It’s a beautiful yet sad song and yet, is quite upbeat. While realizing the relationship has run it’s course, it’s difficult to walk away from and Lonely Heart pleads for another chance. One of the great things about this album is that it doesn’t capitalize on solely heartbreak or the perfect relationship, there’s a balance of both which is quite a nice break from what I’ve recently been hearing from other artists. I really enjoy the honestly projected in CALM; a little bit of the good and a little bit of the bad.

High

Remember how I said we would come back to the idea of the album’s ending? As you listen to the finale track, you are left with what Calum describes as either an answer or a question. High, in my opinion, stands as a question. High is a beautiful but sad song about wondering if your former love still thinks of you highly. I think this is a honest question because it’s easy to let the mind wonder as to whether or not you left a lasting impression on your relationship. I often find myself wondering the very same thing. My favorite line of the song, “I know I’ll never meet your expectations but the picture that you paint of me looks better in your mind” I think in some fashion or another, we’ve all loved someone that we thought was the same person we created in our head when in reality, you realize it was a figment of what we wish could have been. It surprised me this was the final track on the album considering the rest of the thematic elements which is why High leaves me with a questions rather than an answer. It has me wondering, what is next? Will these memories stick around on the next album or is High, the closing of a door and the beginning of a new chapter?

CALM is simply an intricate kaleidoscope of events that I am so happy to have had the chance to experience through each of these songs. 5 Seconds of Summer is a band I’ve grown with since 2014 and having been there for the release of their first self titles album, it is truly amazing to witness how much they have grown as people and artists. Music is a beautiful thing.

What are your thoughts on CALM? Have you gave it a listen? If not, you definitely should! The guys have also released ‘from the vault’ recordings of Easier, Teeth and No Shame which is a great teaser as to what these songs might possibly sound like on their upcoming tour.

I also thought it would be fun to pull some album covers from the 1990s so you can also get a feel of how the colors of CALM can be drawn in comparison. Here are album covers from Pearl Jam, Hole, Nine Inch Nails, Alice In Chains and Loveless. (I’m including The Sgt. Pepper & The Lonely Hearts Club Band for the similarities of the Wildflower cover art) Which is pretty iconic to recreate and incredibly well executed.

Did the internet really kill the video star? The rise of social media has seemed to place musicians in an interesting position. During the golden era of MTV, the music video was a ticket to stardom and establishing a worldwide fanbase. Everyone was watching MTV from the 1980s into the 90s. Musicians had found a new form of creative expression beyond just their sound.

In the 1990s, MTV and VH1 provided a more internal look into the life of the world’s biggest rock bands. Behind The Music was an hour long documentary series that allowed fans a microscopic look into bands like Journey, Fleetwood Mac and Metallica. With over 244 episodes, each installment of the series highlights turning points in each of the artists’ beginnings, in-betweens and the success that sometimes faced hardship.

Growing up with a father who’s interests in music vary from Beastie Boys to Metallica to Carlos Santana, I myself have recently been immersed into finding out the roots of some of my favorite artists. Where did they begin? What inspired their music? How did their past make them who they are today? These are questions that constantly circulate as I think of my favorite musicians.

So how does this play into today’s artists? Well, I’ve recently noticed a significant resurgence or “resurrection” if you will, of artists documenting their career’s highs and lows. Such artists like Beyonce, Taylor Swift and 5 Seconds of Summer have created documentary features and mini series highlighting a behind the scenes look at their careers. Some of which, have gone on to become nominated and even award winning films. Why is this so important to me? I think with the age of social media, it’s easy for fans to forget that these artists are far more than just their on-stage persona, they are human. The need to humanize these artists has been in my opinion, become more crucial than ever. It’s important for fans to understand the ups and downs of life on the road and the social responsibility that can at times, be a heavy presence on the shoulders of these artists.

These mini and feature length documentaries are not only an inside look of the world’s most beloved bands, but it has also become a successful promotional tool for a new album. And in my opinion, nothing excites me more than an amazing album and a behind the music series to go with it. I believe the process of how the music is made, intrigues the audience now more than ever. (And that’s cool!)

With the rise of new streaming platforms like Apple Music, Netflix and Youtube Premium, documentaries have become more accessible than ever. However, I have seen a couple great ones like Kurt Cobain’s Montage of Heck (2015) at the famous Hollywood Cinerama Dome. Now that was eye opening. It was the perfect collage of interviews, home movies and even recorded journal entries from Kurt Cobain himself. The documentary was an explicit tale of the truth behind one of rock music’s beloved artists. While the film featured the many telling of Kurt and Nirvana’s massive success and fame, it also touched on the tragedy that went with it.

One such documentary that will always have an important presence with me is Amy (2015), a film about the late British singer, Amy Winehouse. Not only is the film a raw telling of Amy’s talent as a singer songwriter, it also tells of her inner demons. I don’t think Amy would have wanted a sugar coated telling of her life, she was always one to keep things as transparent as possible and thats exactly what Amy provides. The film even went on to win Best Documentary Feature at the 2016 Academy Awards. What Montage of Heck and Amy both provide thematically is, a truthful telling of music’s influence on the artist, the world and their everlasting legacy.

With so much readily available at our fingertips, artists have an opportunity to connect with an audience in a unique way. The ability to share and see eye to eye with your fans is a tool that I believe more artists should take advantage of. Sharing the journey of how the tragedy, romance, and the sounds that encapsulate these tracks is something truly special. I don’t know about you, but I get goosebumps just thinking about Steve Perry laying down the vocal track for Don’t Stop Believin’.

So the next time you pop on your headphones and the first note of your favorite song plays, think about the artistry, the articulation and most importantly, the life journey your favorite artist(s) had to take to get to that very idea at that very moment. Music is a coming together of experiences, talent and the common need to share a feeling.

Need something new to watch? Here are the latest musical documentaries featuring your favorite artists.

Harry Styles released his newest and sophomore album Fine Line on December 13th and after a few listens, I have reached my final thoughts! This album is what I consider to be Styles’ wildcard album; similar to that of Sargent Pepper’s Lonely Hearts Band by The Beatles. You can detect Styles’ psychedelic rock influences musically and through each of the album art below) While Fine Line is composed of several tunes of heartbreak and the tribulations of getting over the one that got away, it also contains several tracks that felt like a separate album all together. Knowing Harry’s past of running against the grain, I wouldn’t be surprised if the album was intended to be a collage of various genres and narratives. Read below as I break down my thoughts of all twelve tracks.

1. Golden

The album opens with an upbeat breakup song that though sounds campy, is actually quite sad lyrically. Its got some of the rock elements of Styles’ self titled album but with notes of a recent lost love. It’s the perfect way to set the tone of the album as Styles has often referred to Fine Line as being about being lonely in the wake of a serious breakup. I also thought the metaphor of this love as being something burning and passionate such as the sun was an interesting comparison. This can be heard in the lyrics: “I know you were way too bright for me. I’m hopeless, broken, So you wait for me in the sky.” A few tracks down, Styles refers to “summer skies”  yet again in the third track Adore You. 

2. Watermelon Sugar

Perhaps one of the more ambiguous of songs in terms of lyrics, Styles creates a rock anthem that can only be described as the sister track to Kiwi (seen in his first album). Again, Styles uses fruits as metaphors for things other than the obvious subject. Many have suggested the lyrics to be of a sensual nature or about the heightening of senses when using psychedelics. (Which Styles has admitted to taking to expand the music making process) However, when asked about the song’s true subject, Styles states it is up to the listener to decide what the song is truly about. Personally, I think this is another fun rock track created to throw off listeners. (In a good way) Styles has a way of creating fun tracks that even when you’ve heard it a million times, you’re still left wondering what exactly he meant. Watermelon Sugar is fun, unique and incredibly catchy. Give it a listen, I can bet you’ll be humming the chorus all day! A solid track and we’re only two songs in! 

3. Adore You

Adore You is one of my top favorite tracks on the album! It’s got the greatest bass and guitar riffs with a little bit of synth giving a nearly 80s vibe. Styles’ falsettos also add an angelic touch that can do no wrong. I can’t truly describe what exactly it is that I love about this song other than the fact that it’s incredibly good. There’s something endearing about the melodies that make the song so unique and just an overall favorite. Style’s guitarist Mitch Rowland adds some pretty stellar riffs which makes the song even better! 

4. Light’s Up

The track that started it all. Lights Up marks the return of Harry Styles and his sophomore album, Fine Line. Styles began marketing the song through ambiguous posters that read “Do You Know Who You Are?” Each poster donned a small Columbia Records logo at the bottom. Being the detectives that are, fans all over began to speculate his return, and they were indeed onto something. Light’s Up is an interesting track and felt like an honest song about finding yourself in the middle of rising fame. Another great track. 

5. Cherry

This is my second favorite track on the album and I have to say, it’s a very close first but, I’ll save that one in a minute. Cherry is one of those songs that I imagine will be used for soundtracks in the years to come. It’s got a really earthy tone to it and goes back to Styles’ classic rock sound from his first album. Cherry is where we really see Styles open up about his previous relationship with model Camille Rowe. The song speaks of Styles’ jealousy towards Rowe’s new relationship and how part of her is still with him. It’s a song that anyone who’s ever had their heartbroken can sympathize with. Cherry is beautiful, perfect and everything it should be. The end of the track features a brief recording of Camille in what appears to be a phone conversation. There’s something about her voice at the end that is so heartbreaking yet so beautiful. Chills!

6. Falling

This is where I bring out the tissues. Falling is truly the greatest song Harry has ever written and I can say with complete sincerity that it is one of the greatest songs I have heard in at least the last five years. It’s simple piano arrangement and raspy vocals create a sense of disparity and grief over a love that meant a great deal to him. Falling is a track that will be one of the best songs to hear live on tour. (I really hope I get the chance to!) Every time I listen to it, I get goosebumps. The song stresses the fear that the relationship that seemed so real and steady will be easily forgotten which is one of the most relatable aspects of the song that I love so much. It’s lyrics reveal a love so fleeting and vulnerable, Styles is left lost in the wake of heartbreak. Fallen is a must listen even if you aren’t a tremendous Harry Styles fan; but you might be after this one!

7. To Be So Lonely

This next track fits perfect with the last beginning with the lyrics “Don’t blame me for falling”. The entire Fine Line album is a telling of Styles’ midst throughout this breakup and how he copes with it all. To Be So Lonely isn’t my favorite track but it’s got some pretty interesting lyrics within it. It’s telling and can be the stage of coping that can feel as getting over someone and telling ourselves we’re okay but in reality, it’s still one of the first things on our mind and it still hurts. 

8. She

She is the most reminiscent of Styles first self-titles album particularly the song Woman. It’s also got a particular Beatles influence to it and again, goes back to his original classic rock roots. She is a somewhat ambiguous song that plays almost like a dream. It’s characters aren’t clear but the lyrics display a sense of longing for an ideal partner that only exists in their mind. She isn’t referring to anyone in particular but rather, refers to an ideal someone who fits the picture. Musically, She has some pretty edgy guitar riffs and psychedelic synth. This is the point in the album I felt Fine Line begins to split into what feel like two different albums. 

9. Sunflower Vol.6 

Sunflower Vol.6 is where Fine Line seems to diverge from its original sound to a more psychedelic rock sound. It’s track name alone is intriguing and I wonder if he had written five other versions of the song before eventually being content with its sixth edit. (A sill thought but nevertheless a curiosity I have) Again, Styles uses metaphorical imagery of his previous relationship only this time, comparing her to a sunflower. (Arguably a flower reminiscent of a bright yellow sun) Sunflower Vol.6 is another cheery track with lyrics that actually have deep underlying meaning. It appears he is reflecting on his relationship, surpassing the anger and mourning of his breakup. 

10. Canyon Moon

Canyon Moon is a track that I was really excited about when the tracklist was released but turned out to be completely different then what I was expecting. It’s one of the few tracks on the album that is quite different musically than Styles original soft rock sound we’ve heard in his premiere solo album. Canyon Moon reflects of the good times of his previous relationship instead of the bad. It appears we’ve made it through the storm and things are looking up! It’s quite a “cute” track reminiscing the good times that Styles hopes to return to someday referring to this feeling as “home”. My favorite line of the song ” she plays songs I’ve never heard, an old lover’s hippie music, pretends not to know the words” has some incredible imagery that you can almost imagine happening. Musically it isn’t my favorite track but it does have significant lyrical moments that feel almost like a supercut film into his relationship that I felt were very important to the album’s story.

11. Treat People With Kindness

I was so excited to find out what this track would sound like simply because Treat People With Kindness has been sort of personal campaign Styles has been devoted to since his previous album. This track is complete disassociation from the album and is simply a love song to his fans reminding them to treat people with a little kindness. It’s got a little bit of a Queen influence to it especially with the layers of falsettos. It honestly sounds like a song you’d hear in a 1960s musical. In his Rolling Stone interview Styles states “I told Jeff, I would love to someday write a song called ‘Treat People With Kindness.’ — It made me uncomfortable at first, because I wasn’t sure what it was—but then I wanted to lean into that. I feel like that song opened something that’s been in my core.” Listening to it, I can agree that I feel the message Styles yearned to get across, fulfilled yet that. 

12. Fine Line

At last, we have reached the title track and the final conclusion of the emotional journey through perhaps Styles’ most honest moments. This is another chilling song that I can almost guarantee will be featured in films for years to come. It’s the perfect conclusion to his journey through what I imagine to be some of the most difficult moments through the healing process. Through Fine Line, we can see that Styles has grown tremendously through this process both internally and lyrically. The song ends with the lyrics “We’ll be alright”, the closing lines of this emotional chapter of his life and an indication that despite this roller coaster journey, we’re going to make it out alright. 

Fine Line as an album, is a kaleidoscope of moments that underline one of life’s most difficult lessons which is learning how falling in love can be the most beautiful and even painful experience of our lives. Learning to accept when to move on is incredibly difficult and having shared this story so openly with fans is truly special. I personally can’t imagine sharing such intimate moments so freely! Fine Line is an album that will help many fans and even occasional listeners heal in ways they maybe hadn’t felt possible. That is the true beauty of music, finding ways to relate with your favorite artists and understanding that they too deal with loss and heartbreak. 

Fine Line has my stamp of approval and it’s a 4/5 star rating from me! Pop over to Spotify and give it listen! You might be surprised and shed a tear now and then. (I know I did!) If you loved Fine Line, catch Harry on his next headline tour in the summer of 2020!

Photo Credits: Harry Styles and Republic Records

Charlie’s Angels (2019) is a film about an angel in training who with the help of several other angels, earns her wings in efforts to become part of the world’s most top secret agencies. Elizabeth Banks strikes gold with Charlie’s newest generation of angels. Sony’s now third installment of the Charlie’s Angels franchise is what I believe to be the perfect finale to one of television’s most iconic female lead shows. The original angels (Farrah Fawsett, Kate Jackson and Jaclyn Smith) became cultural and feminist icons for the ages inspiring and representing the ‘badass’ in women everywhere.

While is hasn’t been discussed as to whether a sequel will follow, I believe it’s third revival is the icing on the cake to a spectacular venture. Although the five year lived television series and the following early 2000s films represent women in leading roles, they still presented a few issues that Hollywood during its time didn’t quite nail. However, the Elizabeth Banks installment is what I consider to be everything the legend of Charlie’s Angels wanted to and should be.

Created in an era of male lead shows like CHiPs, Starsky & Hutch and The Rookies, American television in the 1970s was saturated by the idea that women stood as merely supporting acts or required a male counterpart to save them. Police Woman is a prime example of how a female lead show (played by Angie Dickinson) would require a male counterpart that would swoop in to save the day. The ladies of Charlie’s Angels required no such thing, a breakthrough for American television at the time.

Some of most refreshing aspects of the new Charlie’s Angels film is the evolution of women in film/television, a more ethnically diverse cast and the inclusion of the LGBTQ+ community. I was so excited to see how progressive the narrative and each of the female characters are (both leading and supporting) and how each of their personalities relied solely on their intelectual and physical skill sets (ex. Self defense/science and technology); something I did’t feel was too apparent in the 2000 film directed by Mc G.

Hollywood during the 1970s and in the early 2000s appeared to focus on how “sexy” a woman looked rather than displaying intelligence and morality as the basis of sexiness. I found the 2019 Charlie’s Angels film to focus on what the ladies had to offer more so than their physical “assets”. While the women in the new film looked undeniably beautiful, they didn’t have to wear skimpy clothing; steering clear of the deemed “jiggle TV” that plagued the 1970s show. Jiggle TV was a term coined by television executives of the time, criticizing shows like Charlie’s Angels (1970s) for featuring many of their leading actresses in overly revealing or loose clothing. (Today)

This idea of jiggle TV was the final nail in the coffin for nuclear family sitcoms that popularized in the 1950s such as Leave It To Beaver, Father Knows Best and The Donna Reed Show. 1970s America was fed up with family sitcoms and yearned for something a little more on the edge. (Thus catapolting Hollywood into the era of gritty cop/detective shows) However, in the 2010s, the ideaology of women in the industry began to change drastically (and in my opinion, for the better). One of my criticisms of the 2000/2003 films directed by McG is that it was often overtly exploitative. (As a female myself, I found scenes to be uncomfortable to watch at times.) The 2019 Charlie’s Angels steers clear and doesn’t use exploitation as basis for a good film. Again, the new film focuses on the different character personalities, skill sets and screenwriting to do the heavy lifting. (An A+ from me!) A round of applause for Elizabeth Banks!

So what did I think of the new Charlie’s Angels film? I loved it! I thought it had a solid screenplay and the casting was perfect. Each of the angels did a fantastic job and Elizabeth Banks really flexes not only her acting chops but takes home writing and directing credits. A huge inspiration for female filmmakers everywhere! Kristen Stewart really shines in the film and I was impressed by her comedic delivery and theatrical growth. Upcoming actresses Ella Balinska and Naomi Scott (famous for her portrayal of Princess Jasmine in the live action Aladdin film) were fantastic as well. Ella Balinska was a natural with all of her stunt scenes and was the true leader of the pact. I believe all three leading ladies complimented each other perfectly.

Lastly, one of the aspects of the film I couldn’t get over is the production design! Production Designer, Aaron Haye took the set design of the Angels headquarters to the next level and looking at his resume, it’s no surprise why he was chosen. Some of Haye’s work includes Bohemian Rhapsody (2018), Star Trek (2009), and A.I. Artificial Intelligence (2001). 

 

There were several memorable moments in the film that made me laugh and gleam with happiness at just how far women in film and television have come. These ladies were collectively beautiful, strong and the best role models you could ask for. I hope many go out to watch the film and it is truly a treat for its action packed narrative, comedic value and outstanding leading ladies. (Also, this may be a spoiler to those who haven’t watched the film yet but, I was so excited to see the special cameos made by original angel, Jaclyn Smith among others) There’s another pretty significant reveal at the end of the film but, I’ll let you watch to find out! (You won’t want to miss it!)

The soundtrack was also spectacular and helped set the tone of each scene. It’s a proud time to be a woman in the industry and I hope to see more women making their debut in the entertainment industry. The sky is truly the limit! Charlie’s Angels (2019) is a true testament that women are brave, powerful and can achieve anything they put their minds to.

Want a sneak peek? Below is the trailer for the new Charlie’s Angels film!

 

Below are the three generations of angels! (1970s/2000s/2010s)

This week, NBC released the highly anticipated season 4 premiere of This Is Us titled ‘Strangers’, and boy did they deliver! I discovered the show earlier this year and have been hooked ever since. It’s truly been the only television show to make me cry and I can’t say that’s an easy task. (Especially having worked in the industry) While the episodes can put you through an emotional rollercoaster, it also makes you appreciate the beauty of life’s sometimes unpredictable circumstances. That’s what life is really, a series of events that even when planned carefully, can still breed a variable of outcomes.

Rebecca Pearson (Mandy Moore) captures the essence of the show perfectly stating,”It’s so strange isn’t it? How just like that, a complete stranger can become such a big part of your story. It’s actually kind of terrifying-how a single cross with one person you’ve never met, can change everything.” Now if reading that didn’t just give you the chills, you should definitely watch the premiere! This Is Us is and always has been chalked filled with life lessons, surprising twists and an undeniably stellar cast who bring the show to life. I can honestly say this show is one for the ages, and I don’t say that lightly.

Diving into the season 4 premiere, I knew based on the previously released trailer that we would be introduced to never before seen characters. Of course, the writers don’t give up that information that easy. Watching the episode, we soon learn to understand who exactly these new characters are and how they’re connected to the already established Pearson family.

The episode opens with a previous scene of 1970s Jack (Milo Ventimiglia) and Rebecca coming home from their journey from Pittsburgh to Los Angeles. We’ve known for 4 seasons now that Rebecca has been trying to make it as a singer, this would be one of many foreshadowings of this premiere episode. As Rebecca and Jack return home to Pittsburgh, she explains how one cross with someone can alter their story forever. This is again, another foreshadowing to a few events that we see down the road. (but let’s continue) While Rebecca is talking to Jack, the scene intercuts with our first new character who we discover is blind. As he is making breakfast, he drops his plate resulting in his trip the diner where he soon meets his future wife, a waitress working at the diner.

One of my favorite aspects of This Is Us is it’s ability to perfectly weave together storylines without being confusing or disorienting. At this point in the show, fans can expect the a-typical style of cutting from past, present and even the future as this has been an ongoing theme over the past few seasons.

The show also introduces two more main characters: Cassidy (Jennifer Morrison), a struggling military officer and Malik (Asante Blackk), a Philadelphia born teen who we soon discover is a young father. Each of these characters are perfectly crafted throughout the episode and in less than an hour, you already form a close bond with both of them. The This Is Us writers strike again!

As the episode continues, the story uncovers some pretty big reveals including that the young blind male we are introduced to in the beginning, is actually Kate and Toby’s son, Jack Damon. (We learn this through several interweaving scenes of both present and future Jack Damon) We also find out that Malik has a brief crossover with Randall and Beth’s adopted daughter Deja, who meets Malik at a barbecue in Philadelphia. While the meaning of what their future holds is unknown, it appears that the two are smitten with each other. (Is a new Pearson romance in the air?)

A third reveal is discovered as Jack is seen shopping for a sport coat at local shop where, none other than Miguel Rivas (Jack’s longtime best friend) works. However, in this period of time, the two future best friends meet for the very first time as Miguel let’s Jack borrow the coat for a formal dinner meeting with Rebecca’s parents. The fourth and final reveal is Cassidy’s crossover with the Pearson family. During her AA meeting at a local veteran center, the session is quickly interrupted by a chair smashing through the window. The camera then pans to show Nicky Pearson as the one at fault. Now, this one may be a bit of a stretch but, my prediction as to how exactly this crossover will come to greater fruition is by the help of Nicky’s nephew, Kevin (Justin Hartley) who comes to save him. We know in season 3 flash forwards that Kevin eventually has a son but, the mother (at least in this pointing time) is unknown. Could Kevin’s trip to save his uncle Nicky result in a possible crossover with Cassidy who will become the mother of his child? We shall wait and see!

Circling back to Rebecca’s revelation of life crossovers, the whole purpose of the season premiere is to uncover the truth behind some of life’s craziest encounter and events. Essentially none of these relationships (both friendship and romantic) would have happened hadn’t it been for some happenstance of events. Had it not been for Jack and Rebecca meeting, Jack may have never crossed paths with Miguel on his way to buy a coat. If Jack Damon hadn’t dropped the plate that morning, he most likely wouldn’t have gone to the diner and met his future wife and mother of his child. One of the best scenes of this episode seeing the broken plate put back together and in a frame in Jack’s bedroom; symbolizing that without it, he wouldn’t have met his wife. Also, Cassidy visited the veterans center that morning, she would have never crossed paths with Nicky. Lastly, hadn’t Malik’s dad let him go to the barbecue, he may not have met Deja. All of these crossovers are connected to the Pearsons in some way and it’s amazing how the writers keep you so emotionally invested and at the edge of your seat the whole time!

While this season 4 premiere certainly fulfilled my expectations, it raised so many important questions! (good ones) I enjoyed the episode’s ending as Jack Damon takes the stage in front of thousands of adoring fans. This coming full circle to Rebecca and Kate’s dream to make it as a big time singer. Again, the writers never seize to amaze! Music has always been in the Pearson’s blood! I truly can’t wait to see what else the This Is Us writers have in store for the rest of this season and its characters. Just when you think you have it figured out, theres always new dots to be connected! I truly don’t think I’ve seen this caliber of writing since Breaking Bad and I am thrilled! It’s shows like This Is Us that make wanting to work in the industry, that much more exciting.

What did you think? Did the season 4 premiere of This Is Us keep you on your toes?Watch the Season 4 Episode 2 trailer below in anticipation for this week’s new episode!

https://www.youtube.com/watch?v=QXilFrlQYXs

Movie posters are generally a consumers first look of a film/TV show. It’s meant to promote not only its title and main stars, but also give information as to what the film pertains. While some movie posters may be a bit more ambiguous than the others, they are meant to be a sneak peak into the theme of the film. Color palette, text font and character/object disposition can tell a lot about the theme of a film.

Here is an example from the IT poster released in 2017.

The poster presents a color palette of rich reds and black with the use of white and yellow. Notice the font of IT. The font is a bit jagged, as if a knife or sharp object created the scratched appearance of the lettering. Generally speaking, this type of font is commonly seen in horror films. Sharp edges and deep reds are notably symbols of terrifying things to come. While most people tend to know the story of IT based on the critically acclaimed novel, its always the job of a marketing team to assume this is the audience’s first introduction to the story.

Also notice that we can see neither Pennywise or Georgie’s (yellow coat) face. In horror films, what we don’t see can sometimes be scarier than what we do see, so this design definitely works in story’s favor. If this was a comedy about a happy clown, we would probably see Pennywise’s face and the color palette (as well as the font) would be dramatically different. As a comparison, here is a poster for another Warner Brothers film, Pee-Wee’s Big Adventure. While Pee-Wee isn’t necessarily a clown, his mannerisms are very silly and clown-like. Here is a comparison of both of their posters. Look at the color contrast!

The whole idea of this article came when I was making one of my many drives down Santa Monica Blvd on my way to work. I had noticed numerous Stumptown posters plastered on billboards, bus benches and of course bus stops. The following day I noticed what appeared to be the exact poster design but for a different show called American Gods. I was astonished at the distinct similarities.

The composition of post Stumptown and American Gods is nearly the same. Take a look at the guy to the left of Colbie Smolders in Stumptown. He is a near perfect mirror of the man to the right of the car in American Gods! While both shows have different fonts and color palettes, I couldn’t believe how eerily similar they were in design. Was this intentional? Perhaps. Although, I think this is too much of a happy coincidence! But then again, things like this always happen (read further!) Also, it’s worth noting that American Gods has been released since 2017 while Stumptown is in its premier season this Fall.

Comedies / Battle of the Sexes

Marketing teams know what films were box office hits and what works in terms of poster design. For example, a film with a duo Vince Vaughn and Reese Witherspoon (Four Christmases) might pull similar attraction to the same crowd who enjoyed the film The Game Plan starring The Rock and a young Maddison Pettish. While both films have different contextual meanings and issues at hand, their poster will remind you of the feel good movie of the year you saw and how you felt about it. Keep in mind, The Game Plan came out in 2007, and Four Christmases came out only a year later in 2008. Several other films have copied a similar design as seen below. Romantic comedies and even kid friendly comedies, tend to attract a similar pool all around for their sweet stories. Theres definitely a hint of battle of boy vs. girl in terms of design. Also notice how nearly all five of these posters have the tallest party on the left and the slug lines on the right side of the poster. Ah, composition.

Strange Coincidences: Say What?

Most recently, there was a bit of an uproar about the poster design for two different shows on two different networks. The first poster released was for Freeform’s spin-off show of The Fosters titled, Good Trouble. Around the release of this poster (much like Stumptown and American Gods) a similar poster design of two women in a pool came out for the Netflix Original show, Dead To Me. While these two posters are strikingly similar, it may have been a bizarre coincidence, and an interesting one at that! At times, we may be influenced subconsciously by what we see and desire to create (at first) what we believe is an original design. Or perhaps, this was just a case of two designers creating nearly the same design, which I fully believe is the case in this situation. What are your thoughts on these designs?

Below are a few more instances of seemingly non-discreet uses of similar poster designs. Whether or not these designs were of inspiration or just a copy cat, is solely left for open interpretation. I believe it is a mixture of both. With an abundance of content these days, an original idea is hard to come by.

Giant Eyes

Large eyes on a poster can be evasive, creepy and occasionally, down right disturbing. The eye is one of the most sensitive organs of our body and the thought of anything getting into them (let a alone a parasite) can be quite spine chilling. Which works in the favor of creative marketing when promoting a studio/network’s latest thriller film. Personally, all four of these posters disturb me in a way, mostly because I can’t even imagine something being that close to my eye, let alone an insect going near it. Again, these types of explicit imagery work greatly in the favor of these marketing techniques.

Action Films

Action films such as The Expendables or The Fast & The Furious: Tokyo Drift love using black and white with hints of color in its poster designs, specifically warm tone colors. These poster designs are heavily influenced from Japanese action films who use similar color designs. The black and white photography paired with an almost “burning” effect with the warm pops of color really add a mysterious and enticing draw to their design.

Action/Adventure (Tier Design)

Sci-Fi thrillers and superhero films have been some of the biggest blockbusters known in Hollywood. While they are action packed with innovative adventure, they also require a large cast. With a star studded cast such as Robert Downey Jr, Gwyneth Paltrow and Scarlet Johansson, it can be difficult to decide who will be largely represented on the official Avengers: Infinity War poster design. While each of their characters are widely important, action films featuring a large cast often depict the “leading” character of the story as the biggest element of the poster. The rest of the tier represent characters that are also in the film but who may not be as pertinent to the story as the others. Also notice the combination of warm and cool tones working together in these designs. Marvel Universe, Star Wars and DC Universe poster designs will rarely have a lack of color. Superheroes are known for a wide array of colored suits and outerwear as a form of creating distinction between multiple characters. (Star Wars does this generally with the use of lightsabers)

While this article can go on about the several other uses of signaler poster design, I will wrap up by saying that rarely is a design ever “unique” or an original idea. Ideas for films (Even those we haven’t necessarily seen before) are a mixture of ideas, influences and inspiration from previous works. However, one should always pay gratitude and thanks to those influences as oppose to taking full credit for an idea. It’s okay to borrow and form new ideas from inspirations, but permission and of course acknowledgment to these works should always be critical. Filmmaker and artists refer to this as homage, or rather, paying tribute to our artistic influences when creating our own.

What do you think? Are some of these designs are inspired by successful designs of the past, or do you believe they are simply “borrowed”? Sound off below and share with me some designs you’ve noticed in the past!

Here are a few more miscellaneous posters to compare.

*All of the discussed poster designs belong to the studios that made them*

Hot off the press, Taylor Swift’s seventh anticipated album titled Lover unleashes a new colorful era of Swifty. And I am here for it!

One of my favorite aspects of a new Taylor Swift release is the unanticipated and subtle announcement of a new album. Taylor first teased Lover (then untitled) on social media with a subtle but colorful photo supporting her beau, Joe Alwyn at the BAFTA awards. This wasn’t a major Easter egg for fans but looking back, it began the new “color era” of her now released seventh album.

*Easter Egg: In media, an Easter egg is an intentional inside joke, hidden message or image, or secret feature of a work.

If you’ve been following Taylor Swift from the beginning or since her past few albums, you’ll know that each represents a new “era” or theme Taylor embodies both in her music and on tour. Her predecessor album Reputation represented the recent backlash and heartbreak she had endured beginning in 2016. Reputation is her darkest era yet with its consistent theme of snakes, dark colors and flashing newspaper headlines representing the media’s intrusive interest in her personal life.

With the new release of Lover, this colorful era appears to represent a new and improved Taylor in comparison to her previous album. Swift exchanges snakes for butterflies which as we know, is a symbol of growth and rebirth. Through Reputation we learn that the old Taylor is deceived, heartbroken and distrusting as heard in her song Call It What You Want– “My castle crumbled overnight-they took the crown but its alright.” Artwork, music videos and various performances display a resurrected Taylor as she looks back on these broken times and decides to make amends with her past. She patches her friendship with ex-friend Katy Perry, establishes new friendships and discovers a new found happiness.

In her newest single You Need To Calm Down, we learn that, “We all know now we all got crowns.” Looks like Taylor has regained her crown and is sharing the glory with her newest friends.

Diving into Lover, I finally had the opportunity to listen to the album track by track. The album was a near perfect embodiment of sugar, spice and everything nice. Lover is a much different in tone in comparison to Reputation. It was quite simply an album that was meant for Taylor and well, her lover. As much as I enjoy a good Taylor Swift revenge song, I couldn’t help but enjoy the variety of arrangements presented in Lover, each song felt like a piece of a collage. Some of these songs felt like the audience is looking from the outside in. Thats the beauty of music right? While most albums are often a collage of emotions and events that inspires each track, Lover is one of the most unique of Taylor’s now seven album discography. The collective 18 tracks represent a personal look into Taylor’s new found love that has blossomed since her “Delicate” Reputation days.

The first track of the Lover is titled I Forgot That You Existed. This couldn’t be a more fitting introduction to the new era as it represents the letting go of a past that nearly consumed Taylor’s belief in love and a new beginning. I Forgot That You Existed represents the end of the Reputation era and that Taylor is done with old haunts. This can be compared to Swift’s Reputation track, Look What You Made Me Do, a song that symbolizes that actions have consequences and Taylor is no longer playing nice. As we know in this new album, there is a dramatic shift in tone. The old Taylor can’t come to the phone right now, why? Because she’s in love!

Of course with an album title like Lover, Taylor has now moved on from the vulnerable and daunting idea of falling on love as heard in Delicate, a song from her previous album. Lyrically, Taylor dances around the idea of romance given her damaged reputation as a serial dater. In Lover, each song is a dedication to her long time boyfriend and possible fiancé, Joe Alwyn. (Yes, possible fiancé) Taylor rings what sound like wedding bells in her title track Lover gushing, “With every guitar string scar on my hand I take this magnetic force of a man to be my lover.” As mentioned earlier, each track appears to represent a period in time in Swift’s now three year relationship with Alwyn; the good, the vulnerable, and everything in between. The paired music video was filled with all kinds of symbolism including the intrusiveness the media can often portray her past and even present relationships. (This being represented through the fishbowl scene in her music video Lover.

A writer myself, I find it’s often easier to write how you feel as opposed to facing your sometimes overwhelming emotions. The entire album is essentially everything Taylor has wanted to say to Joe but couldn’t. Sometimes the little things we love about a person can be quite a daunting thing to admit. Lover is an 18 track love letter that doesn’t have a particular sound but rather a complication of various ballads and melodies. Taylor has been working on creating new sounds since the introduction of her 1989 album. Swift truly displays all genres of music in this one album from ballads in Soon You’ll Get Better, 80s pop beats in Afterglow and The Man, and of course a romantic ballad for The Archer and Lover.

Since its release I’ve been asked what my favorite tracks are and so far I have come to the conclusion that the title track is by far the most impressive. It’s raw, truthful and romantic. I’ve been a Taylor Swift fan for a few years now and to watch one of my favorite artists grow is one of the most amazing experiences. It’s amazing to see someone who once struggled within internal acceptance, now be in a positive place in her life. London Boy is another fun track that further displays Taylor’s affectionate love for her lifeline partner. Having studied and lived in North London I loved the references to Highgate, Camden Market and rugby games. It’s the first album I feel like Taylor was able to just release her inner creativity, joy and pure happiness.

Lover is one of the sweetest albums I’ve heard and I can’t wait to see what her journey holds in the future. I think this album was less about for the fans and more of a personal voyage of discovering internal happiness and a whirlwind of romance. If you haven’t listened to Lover yet, venture over to your nearest Target, iTunes or Spotify app and embark on the most romantic journey your eyes have ever heard.